![]() Like many other ARP synths, the 2600 attempts to make things easier to understand by including bold graphical elements on the front panel. The ARP 2600 sits somewhere between the simpler pre-configured design of an Odyssey and the flexibility of a full modular. Importantly, although there are numerous patch points, it is possible to use the 2600 as an entirely pre-configured synth. Patching can then be used to subvert standard routings (of which there are many already), access additional onboard functions, or interface with other gear. ones that start with a waveform that is then shaped by some kind of filter). Only the most ardent of synthesists could pull it off. This is where Minimoog and ARP’s Odyssey were squarely aimed. Both employed a fixed architecture that ended up forming the basis of many subtractive-synth designs (i.e. They later also found that creating playable sounds – especially ones that could be reproduced on stage – was difficult. Although they could create amazing soundscapes and elaborate evolving patches – perfect for sound design – the expense involved meant they were largely purchased by universities or wealthy rock musicians. The other drawback of early modular’s was their cost. This means that they require some degree of patching to make even the simplest noises. Antonus likes to think of their product as being as authentic as can be – but more on this later.Īlan R Pearlman’s ARP Instruments began in 1970 with the ARP2500, a huge modular system. Whilst modular systems offer maximum flexibility, they are also complex. To this, we can add the Antonus 2600, which itself is based around the TTSH DIY clone that’s been around for a number of years. That being said this is more than a slightly modded DIY build. Recently there has been a swathe of hardware-based clones (or tributes, depending on your perspective), with Korg, Behringer and others in the mix. There are also a host of plug-in emulations, including the long-standing TimewARP 2600 and versions from Cherry Audio and Arturia. The starting point for reviewing a unit like this is to state categorically that the ARP 2600 is regarded as sitting on the top-tier of classic synths. Because of this – and perhaps as it didn’t employ custom, rare or completely unavailable integrated circuit components or complex control and memory circuitry – many attempts have been made to reproduce its essence. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application.We finally got our hands on the beautiful Antonus 2600. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).Ĭontinuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) - allowing advanced integration with third-party software instruments - naturally features across the board. ![]() The 12 remaining virtual instruments in V Collection 5 - ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers Prophet VS digital synthesizer Wurli V electric piano VOX Continental V electronic organ and Solina V string machine - do just that, too. Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. At an attractive monetary level, it’s a nobrainer ! Bringing something special to the 21st Century performance and production table, five all-new authentic sounding additions lead this latest V Collection charge. ![]() With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels.
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